After the disappointments of Malaikottai Vaaliban and Barroz and the uncertainty surrounding Empuraan, Thudarum is being called Mohanlal’s true comeback to content driven cinema.
Social media reviews are already calling it the best Mohanlal film released in theatres post Covid.
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Many are saying that the first 45 minutes will test your patience but once it gets going there’s no looking back.
The second half is pure gold. The background score by Jakes Bejoy recorded in Budapest is getting special mention for elevating the emotional depth of the story.
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Mohanlal plays Shanmughan a taxi driver whose life takes an unexpected turn. According to those who watched it this might be his most grounded role in years.
It’s subtle yet powerful, delivering emotions when you least expect it. It’s not about loud, massy moments but a comeback rooted in substance.
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Social media is saying that director Tharun Moorthy has given Lalettan a canvas where less is more—allowing emotions to speak louder than action.
Fans are recommending Thudarum as a must watch for those who loved Drishyam for its layered emotions and family stakes.
Mohanlal has come back—not with punchlines or whistles but with silence, emotion and storytelling that lingers long after the credits roll.
Thudarum is being called the best Mohanlal film released in theatres post Covid, resonating with the audience through its quiet intensity and depth.
