Cast: Suhas, Malavikka Manoj, Ravindra Vijay, Anitha Hassanandhani, Ali, Babloo Prithviraj, Satvik Anand, Nayani Pavani
Crew:
Cinematography by Manikandan
Edited by Bhavin M Shah
Music by Radhan
Written & Directed by Ramu Godhala
Produced by Harish Nalla
Suhas has been growing into a reliable leading man in Telugu Cinema with his unique script selection. But his films have been struggling at the box office, recently. Now, his movie Oh Bhama Ayyo Rama released today. Let’s discuss about the movie in detail.
Plot:
Ram (Suhas) has a troubled childhood and he grows into a coward, fearful and uninitiated. He is a brilliant student in college. One night, he saves Satyabhama (Malavika Manoj) when she is drunk. She gets obsessed by him and starts to stalk him. Later, she starts to take him on weird dates telling him stories. He starts to fall in love with her and accepts her.
She asks him to join under Harish Shankar as an assistant, as she always wanted to become a director but as her family won’t allow, he should for her. Ram accepts and he starts working hard. Suddenly, she tells him that they should take three years break to meet again. Why? What happens to her and their relationship? Watch the movie to know more.
Analysis:
Suhas is good in the role but he is let down by confused writing and execution. His role lacks any sort of depth and it suffers with unimaginative writing all over. In trying to narrate his story in a new age screenplay, the director fails to engage audiences into his struggle.
It feels like Malavika Manoj’s character is just written to narrate his story and bring him out of his misery with no proper character for her. While she is beautiful and did well, writing for her character is pathetic. While trying to make her unpredictable and keep audiences guessing, the writer lost giving her character any sense.
As the writing and directing don’t have a proper direction, the narrative just gets tiring. The movie looses any sort of novelty with the convoluted narrative. Even Ali, Ravindra Vijay, Babloo Prithviraj, Satvik Anand couldn’t really save this film from falling into its own traps of mediocrity and amateurish execution.
Bottomline:
The movie fails in engaging audiences and lacks coherence.
Rating: 2.5/5
Disclaimer: The views/opinions expressed in this review are personal views/opinions shared by the writer and organisation does not hold a liability to them. We would encourage viewers’ discretion before reacting to them.
